This 214 cm sculpture marks a transformative point in my artistic evolution, as I re-envision Marian iconography through Nigerian cultural identity .Initially, I created three fiberglass Sculptures in the round portraying Mary asa woman from each of the Nigeria’s three major ethnic groups—Igbo, Hausa, and Yoruba. However, these early works faced criticism, particularly regarding the skin tones and physical features, which is perceived as resembling East Asian or Chinese women rather than authentically Nigerian.

Responding to this feedback, I embarked on a new research on reimagining her to be a typical Nigerian woman and it resulted to this larger sculpture. Mary is now portrayed with a true Nigerian skin tone and physical characteristics that deeply resonates with local identity. She is clothed in traditional Nigerian attire, green orange and red orange adorned with culturally significant motifs like beads and hairstyles, embodying an authentic expression of Nigerian femininity and spirituality.

At 214 cm tall, the sculpture commands a powerful presence as a symbol bridging Christian theology and indigenous cultural heritage. A wooden halo encircles Mary’s head with beads while a heart positioned at her chest symbolizes divine sanctity and maternal love—key theological values central to her role. Alongside her, Jesus in a traditional attire (senator style) holds a scroll inscribed with Luke 4:18, representing His mission to bring peace to Nigeria as He arrives with His mother. Jesus points toward Mary, declaring her the beacon of peace and unity for the nation.

This work intentionally reclaims Marian iconography, situating it firmly within Nigerian visual and cultural language. It invites viewers to engage with a relatable and inclusive representation of motherhood, holiness, and identity. By fusing faith and culture, the piece affirms the inseparable bond between spirituality and indigenous heritage — the intercession of culture and religion

The creative process evolved from initial amateur with wire and rod, through clay modeling, casting, smoothing,priming and meticulous painting—each stage reflecting a journey of artistic growth . Digital technology further enhances the sculpture’s reach, enabling broader engagement and fostering deeper appreciation for Nigeria’s rich cultural diversity within the global Christian community.— the two original musical compositions accompany the sculpture.

These pieces draw inspiration from traditional African rhythms enhancing the atmosphere of reverence and unity that the sculpture embodies. Through this work, Mary is transformed from a distant or foreign figure into a mother firmly rooted in Nigerian soil and spirit—an enduring symbol of peace, unity, and faith.